The best way to make a come back is to write about movies! And I happened to watch Sarkar Raj in the theater today. Before I write about my thoughts regarding the movie, let me thank you all for emailing and leaving me lovely comments. 🙂 I really missed blogging- reading your blogs, writing and reading comments. And a lot seems to have happened while I was away- Nita‘s blog pictures got stolen by Hindustan Times, Nova’s blog got a face lift, Ish’s results came out and he passed with flying colors- these are the changes that I can remember for now. But it’s good to see that things are otherwise just the way I left them! So, I’ll try and play catch up with your posts and comment. 🙂 Thank you all for sticking with me.
Surprisingly, I liked this movie quite a bit. And I haven’t seen the prequel- Sarkar. This being the first movie post Ash-Abhi’s historical wedding, I decided to give it a try. Plus, I’ve always liked Ram Gopal Verma as a director (even though he has made some very embarrassing movies like RGV ki Aag etc.). The plot of the movie is quite simple- Amitabh and Co. are people’s Gods and they do what’s best for the people of Maharashtra, even though it might mean killing his own son, who stands on his way of achieving his aim.
Aishwarya Rai plays the role of a CEO of an international energy firm and wants to construct a power plant in Maharashtra. She seeks the help of Sarkar (Amitabh Bachchan) and Shankar (Abhishek Bachchan). What follows is a lot of blood shed and power politics. Tanisha Mukherjee also has a small role, as Shankar’s wife. But she’s conveniently killed off a little before the interval, to make way for Aishwarya’s and Shankar’s love story.
Let’s talk about the positives first. Thankfully, no songs. The direction was quite tight in almost every scene. Abhishek Bachchan delivers yet another power packed performance. Tanisha looked really pretty, even prettier than Aishwarya Rai Bachchan. Please don’t hate me for saying that. The dialogues are long and windy, but they go well with most of the scenes. Amitabh Bachchan is his usual self- neither too good, nor too bad. He delivers his typical straight-face-better-than-thou type of performance.
The negatives now- I know that Ramu probably tried to get creative with the lighting and his camera angles. But he’s not Wong Kar Wai or Krzystof Kieslowski. He spoiled some really good frames because of this. Most of the times, I was trying to move my head in different directions, trying to see the actors’ faces. But of course, I couldn’t do it because you see, that is what the director doesn’t want you to do. Probably the actors had a bad bout of acne and told Ramu to hide half of their faces?
Aishwarya Rai failed to impress me, despite her designer suits. She looked less like a CEO and more like a model. Even role wise, she doesn’t really have much to do in the movie, except for serve as a dummy in almost all the scenes. She’s just there…to listen to the men rant. And try to look pretty, with tons of lip gloss and kajal to go with it.
The background score could have been much better. There is this particular number called “Govinda Govinda” that keeps playing during every serious scene. The speed at which the chanting of the word “Govinda” increases can only be compared to the speed of your treadmill ramp.
Despite these idiosyncrasies, the movie kind of works and is definitely worth a watch. I’m quite choosy when it comes to Hindi movies and I would say that this is one of the better ones out there.